I believe the pieces people connect with most are the ones that have been deeply understood before they're ever made. The same process guides both my client work and my studio practice: observing, researching, collecting references, experimenting with materials and form, and making prototypes. I need to understand an idea physically before I know if it's right.

Garments become part of our personal histories. Designing from that perspective creates work that feels considered, resonates with people, and endures beyond a single season. In my commercial work, it leads to products that feel authentic to both the customer and the business. In my studio, it manifests as one-of-a-kind pieces that explore ideas, materials, and construction beyond the demands of a commercial brief.

Grounded in this practice, I draw from reimagined materials, familiar forms viewed from an unexpected angle, and the quiet histories objects carry through time.